The Digest, Volume 3

The Digest is a new weekly feature to the Sketchbook blog. Each issue provides an annotated listing of links to relevant articles about events, trends, people, and things that have a direct impact on us as musicians. If you find The Digest useful, or if you want to suggest improvements, please let me know. Also, if you have content you’d like to see included, please send a message via Twitter or Facebook and let me know that as well. And share the love by passing The Digest on via email or social media.

Is Reading Music Important for Drummers? by the MD Education Team on Modern Drummer.

Should drummers learn how to read notation, or can they do just as well in their careers without that skill? The Education Team at Modern Drummer wanted to find out, so they asked a few professional drummers. Jeremy Hummel, Jim Payne, George Marsh, and others weighed in with their takes on the subject. The consensus? It sure won’t hurt you, and it may well help you land a sweet gig.

What Record Labels Are Looking For When Scouting Artists, on Music Clout.

The first thing that will attract industry attention is a full calendar of well-attended gigs, at which you sell your CDs and merchandise. But that’s expected of everyone: you have to make your act stand out. Have a band app out for the iPhone and Android? That could give you an edge. So can striking a careful balance between writing music that sounds familiar yet uniquely familiar to A&R representatives.

Is Your Art a Hobby or a Job, on Grassrootsy.

While the IRS has its own definitions of these terms, Grassrootsy has a handy checklist to help us decide. Do folks know you write music? Are you not making any money from it? It could be a hobby. On the other hand, if folks you don’t know come to your shows, you have a job on your hands.

Five Lessons You Can Learn From My Album Mistakes, by Shane Lamotte on DIY Musician.

Why spend good money on album production when you can’t give it away? Find out some of the lessons Shane learned such as why promotion is at least as important as production (“If you build it, they will NOT come.”), and why it’s important to build a buzz before dropping $20,000 on an album.

The Four Deadliest Practice Mistakes Ever – And What To Do About Them, by Grace on Artiden.

It’s estimated that over 93 percent of pianists don’t know how to practice piano properly, Grace says in her introduction, usually because they don’t focus on the connection between the entire body and the piano. Most of the time pianists focus on the connection between the fingers and the clock. Feel like you simply must get in three hours today? It’s quality, not quantity.

Interview With Entertainment Lawyer Joseph Stallone, by Aaron Bethune on Play It Loud Music.

Ever wonder what the difference was between copyright and trademark, and whether your band needed one or the other, or both? Can someone steal your song, and what can you do if that happens? Blogger Aaron Bethune sought out the answers to these and other questions from Joseph Stallone, a noted Texas entertainment attorney. Download the podcast to find out about managers, contracts, and your band’s most important asset – its name.

How to Network On the Gig, by Geraldine Boyer-Cussac on The Successful Musician.

Most of us probably don’t spend enough time building our networks, and that’s a shame, really, because it’s these very networks that can help us land jobs. Dr. Boyer-Cussac observes this is especially tragic when musicians fail to network with the very people they are working with. She advises going for diversity in your network, along with reaching out to people whom you do not know very well.

Ten Lies We Tell Ourselves About Networking, by Hannah Morgan on US News.

Dr. Boyer-Cussac tells you how to network; now Hannah Morgan tells you why you won’t. We whine that we don’t know anyone, or that we don’t have time, or that we’re too shy (but we will play our instruments in a crowded stadium!). Fortunately, noted speaker Hannah Morgan has some good advice for fighting against this negative self-talk.

The One-Sheet and Why You Need One, on Music Clout.

In order to have a loyal fan base that will come see you, watch your videos, and buy your material, they first need a way to find out about you. There are people who can help you, by just spreading the word. Help them out: give them the one-sheet, a 50-year-old music industry concept that is still good today.

The Pirate Bay Goes Cloud-Based to Dodge Police Raids, by Tom Pakinkis on Music Week.

“Moving to the cloud lets TPB move from country to country, crossing borders seamlessly without downtime,” according to a statement by The Pirate Bay. Worst of all, those hosting providers have no idea that they’re aiding and abetting the illegal file-sharing site.

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